Heathen Apostles – Gothic Americana Style
Gothic Americana supergroup The Heathen Apostles make their Portsmouth live debut: ‘We’re lean and mean and ready to do it!’ | Portsmouth News Interview
If you take a pinch of Nick Cave and The Bad Seeds, a touch of Bauhaus, plus the blues of Howlin’ Wolf, Loretta Lynn and Bessie Smith, as well as a hefty dose of the dark sound of the Appalachians, then you’re getting close to the sound of the Heathen Apostles. But perhaps the band hit upon the best epithet for their gothic Americana style music with the atmospherically titled Bloodgrass EPs, currently numbering four volumes in total. This is roots music that revels in the dark side.
The band was created in 2013 by vocalist Mather Louth, formerly of ‘swamp jazz’ band Radio Noir, and guitarist Chopper Franklin, a multi-instrumentalist known for his past with garage-rock legends The Cramps and cult punks the Mau Maus among others. They recruited upright bassist Thomas Lorioux, from the group The Kings of Nuthin’, and violinist Luis Mascaro. Based in Los Angeles, they are making their long-awaited UK debut this month, including a date at The Wedgewood Rooms in Southsea.
Heathen Apostles. Picture by Rebecca Van Der Schaft
As we discuss their roots, Chopper says: ‘For me it goes way back. Almost every band I’ve been in has been roots-music based, even the punk band the Maus Maus I was in back in the early ’80s, we were very heavily based in R&B and The Stones and The [New York] Dolls, and still had that aggressiveness, and there was a little bit of that goth – early-’80s goth-rock is just the best – and it kind of evolved from that.
‘I’ve been in gothabilly bands and cowpunk, and it’s always had that roots base, which I loved. It was right there in my first band, everyone listened to blues and R&B and reggae and being exposed to that as a teenager, I saw this as an evolution of that. We definitely lean more towards the gothic-Americana in that we are doing the country and the bluegrass, and there’s some of that blues and R&B, a little gypsy jazz here and there – you throw it in a big stew and mix it all up and hopefully it’s palatable.
The two met through mutual acquaintances. ‘I’d see her see at some of the local clubs around here,’ recalls Chopper. ‘We ran into each other at a party – it’s just two blocks from where we now live, ironically, and I mentioned that I wanted to do this project, something along these lines. It had always been a dream of mine to have a project with all of these influences. I mentioned it to her, it was just an idea at that time, and I had to finish up another project. I gave her two songs, she came over and sang on one of them, in the studio here and it was just magic. I knew she was going to be the singer. It was Dark Was The Night, which was our first real single we put out. ‘Everything else fell into place. We did things a bit backwards – we recorded our album and shot our video before we even played a show, so we were able to put this whole thing together and present it to musicians and collaborators and show promoters as: “This is what it is”.
And as you can see from the pictures, the band has a strong visual aspect. ‘I’m self-taught in that regard and I’ve had amazing mentors over the years. It’s always been an interest of mine, so the band has been a good platform for me to experiment with that sort of thing. In certain videos we just come up with these crazy visual concepts, like I’m a resurrected moth woman and Chopper is resuscitating from a bone circle – just go with it…!
‘The videos are really where we have fun and over the years we’ve been blessed to work with friends of ours who are very talented directors or digital artists. We did this one video that was inspired by German expressionism, and it’s all black and white – it’s awesome. It offers more of the realm that our music exists in and the way that we see it.
The band’s most recent release is the single Gothic Western Haunts single for ‘weird west’ animated series The Goodbye Family, which Chopper also writes the score for. ‘Lorin (Morgan-Richards, the show’s creator) reached out to us during the pandemic,’ explains Chopper. ‘He’s been making that comic for quite a while and it’s his take on gothic western, and he’s heavily influenced by the original Addams Family as well. He decided he was going to do an animated series and he reached out to us to do the music. It’s worked really well.
While much of their material is original, the band is no stranger to a well-chosen cover song too. ‘That’s always fun,’ says Chopper, ‘especially once you’ve determined with your band what your sound is and what you want to put out there, to grab a song that’s not quite the genre, but is a great song… We did Echo and The Bunnymen, but we’ve also done old Irish and English murder ballads and everything in between.’
On 2019’s Dust to Dust they also tackled the haunting folk song In The Pines, perhaps more familiar to modern audiences as Where Did You Sleep Last Night? by Nirvana on their Unplugged album. And that’s not to mention Gershwin’s classic Summertime on Bloodgrass, Vol.1. ‘Especially with a song like that, it’s a challenge because it’s been done so many times and it’s been interpreted so many times – how do you make it fresh?’ says Mather of the latter song. ‘For me, filter it through your own lens. I’ve had people come up to me and say: “That was really ballsy that you guys covered that, because everyone’s covered it, but yours is unique somehow”. As long as you put yourself into it and put what you love into it, it’s what’s unique to you. When you’re trying to flat-out recreate a song, that’s where you have that magic opportunity.’
Edited for space, for more on the Heathen Apostles’ gothic Americana style music by Chris Broom, read the full interview HERE.
An Interview With Heathen Apostles – Folk N’ Rock / Americana Gothic
Los Angeles based Americana Gothic outfit Heathen Apostles recently put out their latest studio album, “Dust to Dust,” and soon followed up with a European tour in support of the release. I spoke with Mather Louth and Chopper Franklin about the album, the tour, and where the band might be headed next.
Now that your European tour has just ended, can you tell us a little bit about what that experience was like?
Mather: In a word: a whirlwind! Which is actually quite surprising, being that it was essentially 5 weeks long and our longest European tour to date. But, it was incredibly inspiring, not only because of all of the sights we were able to take in, but also because of all of the connections we were able to make with fans (both new and existing alike.) Our tour took us everywhere- from the hustle and bustle of big cities to some beautifully remote locations- and that in itself provided a beautiful variety of experiences.
As much as playing 32 shows in 32 days was exhausting, it was equally exhilarating thanks to the adrenaline of performing on a daily basis. As a singer, I was pushed to my limits, but the genuine love for performing allowed me to keep hitting the reset button every night. You can never tell what each day will bring when on tour, so you just try your best to enjoy the highs and (as cliched as it sounds) maintain a sense of gratitude to have the opportunity to share your music with people that truly appreciate it.
What was the writing and recording process like for Dust To Dust?
Chopper: While we were on last year’s European tour we talked about what kind of album we wanted the next one to be. The previous album, Bloodgrass Vol. I & II was dark, but also really rootsy, and we thought this one should have a heavier mood.
As soon as we got home I began writing music that reflected that vibe, and then served the demos up to Mather for lyrics. Since we record in my studio we are able to build on the demos, and Thomas and Luis come in and do their parts. By busting it out this way we were able to have the album out for this year’s tour.
READ THE REST OF THE INTERVIEW HERE.
Heathen Apostles’ Interview in Germany’s Ox Magazine
During the build up to their 2018 European Tour, the Heathen Apostles were interviewed by Karin Hoog of the popular German music magazine Ox Magazine. Below is a scan of the Heathen Apostles’ interview in German, to read the English translation scroll below it.
They have a gloomy version of the Gershwin classic “Summertime” and a even more gloomy of the ECHO & THE BUNNYMEN song “Killing Moon” recorded. Their singer Mather Louth has duets with the Helsinki vampire Jyrki 69, and with the title of their two “Bloodgrass” EPs, the HEATHEN APOSTLES from Los Angeles has invented a new genre, a kind of Dark AIternative-Country / Americana Gothic / Doom bluegrass sound. A drawer in which also fits bands like WOVENHAND, 16 HORSEPOWER and GUN CLUB. The songs are miniature dramas of blood, passion and horror. That guitarist Chopper Franklin played earlier in MAU MAUS and THE CRAMPS, makes it all more exciting. In autumn, HEATHEN APOSTLES are on a European tour, nine dates in Germany have already decided, including one at the Wacken Open Air.
When did you start playing together as a band?
Chopper Franklin – We formed in 2013 and recorded our “Boot Hill Hymnal” album and shot the “The Reckoning” music video before we played our first show. We thought that our brand of Gothic Americana might be a little crazy for some people to wrap their mind around, so it was good to have those out when we first started gigging.
Mather Louth – It’s been a wonderful 5 years growing together musically and personally.
Where did you get the name Heathen Apostles from?
Chopper – A demented mind. I always thought of as a great title for a spaghetti western. Then when this project came about, the name was perfect for it.
Can you please tell me more about the members and their background?
Chopper: I come from the punk rock days of the late 1970’s and early 1980’s in Los Angeles. I lived with, and roadied for, Black Flag in 1979 when I was 15. I soon moved to Hollywood and joined the Mau Maus, and the rest, as they say, is history.
Mather: I’ve got a long musical history in the jazz and blues scene as a singer, and it’s certainly shaped my phrasing and vocal style to a degree. I formed the experimental Radio Noir about a decade ago, and once that ran its course, Chopper and I crossed paths, and here we are 5 years later!
Nothing works without YouTube today, you are there too.
Chopper: We are always shooting videos for our different songs and releases. A lot of our songs have a bit of a cinematic feel to them, it’s great to release videos to go along with them. We usually write and direct them ourselves, but we do work with others too. We are currently collaborating with filmmaker Jorge Jaramillo on our next video for “Deadly Nightshade” (off of the upcoming Bloodgrass Vol. II EP).
What have been the band’s releases up to now?
Chopper: Boot Hill Hymnal (2013), Without A Trace (2014), Fire to the Fuse (2015), Requiem for a Remix (2016), Bloodgrass Vol. I (2017) as well as several singles and other EPs. We will be releasing “Bloodgrass Vol. II” digitally this Spring, as well as an album combining both Bloodgrass Vol. I and Vol. II EP’s for our European tour in August.
From the Mau Maus and Thomas’ Kings of Nuthin’ to the Heathen Apostles, it’s a long way to go musically: how have people reacted to you?
Mather: It’s mostly been a positive response to our music, particularly when we are performing live. Oftentimes there are people who aren’t at the shows to watch us specifically, but end up becoming fans and introducing themselves- that connection always feels deeply gratifying.
Every child needs a name: how do you describe your music?
Mather: We’ve used several terms over the years: Gothic Americana, Gothic Western, dark country, and so on. More recently, we’ve been classifying what we do as “bloodgrass” (with our latest EP titles cementing that association.)
Chopper: We’re influenced by bluegrass, country, blues and gypsy jazz, as well as gothic and heavy rock n roll.
You regularly release covers: Are you thereby paying tribute to bands/artists you like?
Mather: Absolutely- we always have a “wishlist” of artists and songs that have inspired us over the years, and that list tends to grow over time. Sometimes, an artist moves to the front of our list for one reason or another- in the case of Merle Haggard, we felt compelled to release an EP after his passing in honor of his incredible career.
Chopper: We also love to take songs that weren’t meant for our genre and bending them to our will, haha.
Can you please tell me more about the songs you covered on “Bloodgrass Vol.1” Why did you choose them?
Chopper: “Summertime” is a Gershwin classic that Mather has covered for quite a while with jazz bands she’s performed with, and “You’ll Never Leave Harlan Alive” is a dark ballad about workers dying in the coal mines of Kentucky. It’s a song I’ve always wanted to cover but never had the right band to do it until now. We take a lot of care in choosing and recording the songs we cover. “Bloodgrass Vol. II” has the old bluegrass standard “Shady Grove” on it, as well as Hank Williams’ “Ramblin’ Man”.
Mather: “Ramblin’ Man” is another tune I’ve been singing for what seems like forever. Initially, I had introduced it into the Radio Noir setlist (along with a very dark cover of Patsy Cline’s “Walking After Midnight”), but I feel it has truly found its home with the Heathens.
Are there any bands that influenced you?
Chopper: For me 16 Horsepower, Gun Club, Bauhaus, Bill Monroe.
Mather: I’ve always been influenced as a vocalist by a lot of male performers- some of my favorites being Nick Cave, Mark Lanegan, and the legendary Howlin’ Wolf. However, I’m equally in awe of Siouxsie Sioux, PJ Harvey, and Shirley Manson (my earliest icon.)
Where do you draw the inspiration for your lyrics from?
Mather: It’s never really from one consistent source. Lyrics float to me when I’m in a sort of stream-of-consciousness creative mode, or sometimes when I wake from a dream. I’m an admitted logophile and appreciate how certain words reverberate when sung, so that plays a hand in my lyric writing. Sometimes, a concept for a specific character will come to me, and then I work to tell their tale lyrically.
Do you have other artistic talents apart from music?
Mather: Those that know me know that it’s no secret I’ve got an immense passion for couture and costume design. I’ve been rather fortunate over the past 6-odd years to hone my craft as a seamstress with the help of my dear friend Cheri Wilson Chagollan (of Wonderland Corsets.) Nowadays, most of my sewing projects are directly tied into the Heathen Apostles music videos and photo shoots. But on occasion, I can eke out time for personal couture projects (and have also tackled a select amount of commissioned projects for private clients.)
How important is your styling/your appearance to you? Is it part of your artistic concept?
Mather: Absolutely- it’s always been a central force in our band since its formation. When Chopper and I first began collaborating, he expressed that he’d like me to take the reins for crafting our visual aesthetic (which was wonderful, being that I had a strong stylistic vision in my mind from the get-go!)
What’s the strangest thing that ever happened to you while being on stage?
Chopper: I’ve had it all happen it seems; knife pulled on me by a bouncer, cops beating up the crowd at a street festival, getting electrocuted, etc., but being onstage with Lux Interior of The Cramps was wild every night.
Mather: I don’t know if it’s the strangest occurrence per se, but I have had audience members (usually the drunken sort) audibly comment on my “backwards” style of playing guitar. One actually came up to me and tried talking to me about in…in the middle of a set.
Which gig you’ll never forget?
Mather: I’d say hands-down, Bakersfield was an amazing gig for the band. We had been approached by Heresy (the one and only goth club in Bakersfield, which as a city is far more known for being a country music mecca and home to Merle Haggard and Buck Owens.) The promoter was so lovely and accommodating to us, and the fans were absolutely unreal- just imagine a large pack of goth kids who are equally as passionate about Siouxsie Sioux as they are about Merle and Buck! Sadly, Heresy is now defunct, but we were so honored to be a part of that amazing scene while it was still around.
How did your European tour come about?
Chopper: We were put in touch with Kurt De Bont of Rootstown Bookings in Belgium and he started putting together the shows and festivals. I’ve toured Europe several times with other bands, so we were looking at the right time to bring over the Heathen Apostles, and this was it!
Heathen Apostles Feature in Symbols Magazine
A brand new feature of the Heathen Apostles is in the latest issue of Symbols Magazine, in it Mather Louth and Chopper Franklin discuss their unique sound, the meaning of Gothic Roots music and why they decided to release an album of remixes. You can read all about it HERE.
Heathen Apostles Dark Beauty Magazine Interview
2016 brings a new feature in the very popular Dark Beauty Magazine. It was written by Meikee Magnetic and covers the many influences, both musical and visual, of the Heathen Apostles. Click HERE to read the article in full.
Dark Beauty Magazine feature photo by Dina Douglass
Heathen Apostles Interview In deVour Magazine
Mather and Chopper were interviewed recently by deVour Magazine, here’s a couple featured questions, read the rest by clicking thelink at the bottom of the page.
deVour Magazine: Describe your sound and influences to someone who has never heard the band before.
Mather Louth: We were recently described as “outlaw goth”, and I think that’s a rather memorable and visual description of the Heathen Apostles world. Certainly we have a country and roots element to our music, but there’s a definite Southern Gothic cloud over that landscape.
As for influences, my own run the gamut with regards to music (everything from crackling antique recordings of roots music to modern day shoegaze), though I am perpetually drawn to artists that are unafraid to offer a window into the inner workings of their hearts and guts- Mark Lanegan, Nick Cave, and PJ Harvey all come to mind as stellar examples of this time and time again. I am also a self-professed book worm and am fascinated with the art of writing, so I thoroughly enjoy the challenge of translating my own written words into song.
dM: I’d love for you to speak on your new album and it’s creation, obstacles and favorite tracks (if you have any).
Chopper Franklin: For our debut album (Boot Hill Hymnal), we knew we wanted a wide variety of sounds and influences, so the songwriting process mainly consisted of me tracking songs in as many different styles as I could and getting them over to Mather for lyrics. She did a great job of going with it on every occasion- the lyrics are fantastic, and the six songs we co-wrote on the record are the first six songs we wrote together (there are no outtakes or unfinished songs.) We each had two existing songs that fit right inwith the album, so that was great, too. My two favorites on the record right now are “The Reckoning” and “Lonesome Whistle”, because they both show extremely different sides of the Heathen Apostles.
Read the rest of the interview HERE
