Guitarist & Bassist for the Heathen Apostles, The Cramps, Nick Curran & the Lowlifes

REVIEWS

Americana Noir Music – Review of Dust To Dust By Rootsville.com

Americana Noir Music With the Heathen Apostles we entered into the dark side of the music; we are at the Americana Noir music of “Bloodgrass” as they have come to call it. The Heathen Apostles consist of Mather Louth, Chopper Franklin, Thomas Lorioux and Luis Mascaro and are from the “City of Angels” aka Los Angeles, California. Punk rock veteran Chopper Franklin has played in groups such as The Cramps and Nick Curran & The Lowlifes, and those are definitely names that stand out. And with femme fatale Mather Louth the mutual admiration for murder ballads, Americana Noir and Memento Mori came into the picture and soon the Heathen Apostles was created.

Dust To Dust is their 5th album and brings them to Europe for the promotion of their new album. On the album we find 13 songs from which almost all songs are a creation of Mather Louth and Chopper Franklin; only the traditional In The Pines is the exception to the rule. The opener on the album is Burn In To The Ground where they immediately showcase the characteristics of their music. A mix of Gothic and Americana is how they come to create their own sound; it’s a sound where the lyrics are usually darker than the melodies.

The common thread throughout the album, in addition to the powerful and clear vocals of Mather Louth, is the penetrating violin playing by Luis Mascaro, and it is all enhanced by multi-instrumentalist Chopper Franklin and double bass player Thomas Lorioux. This mix of two contradictory directions in the contemporary music scene seems to work wonderfully with the Heathen Apostles. From threatening songs like Two For The Road, to morbid-feeling ballads like The Bride, they know how to create an atmosphere that is at one with their way of playing and living. Bringing together an absolute connection of dark and sometimes eerie-looking aesthetics with Gothic music and art, the Heathen Apostles has succeeded without too much trouble, and in a perfect balance.

Jumping out of the box or not at all, the traditional In The Pines is a song that carries a veil of dark mysticism throughout its existence. Also very morbid to the touch is Easeful Death, but then everything seems to clear up again by bringing the catchy  tune The Fall. The closing of Dust To Dust is Out Of The Ground and with that we had a more than appreciated introduction to these Gothic Outlaws.

tracks:

01 Burn In To The Ground 
02 Rise 
03 Two For The Road 
04 One True Belief 
05 The Bride 
06 Paradise Lost 
07 Where The Waters Meet 
08 Home Sweet Holmes 
09 In The Pines 
10 Easeful Death 
11 Through The Forest, Through The Trees 
12 The Fall 
13 Out Of The Ground 

musicians:

Mather Louth: vocals 
Chopper Franklin: guitar, banjo, mandolin, keys, drums 
Thomas Lorioux: upright bass 
Luis Mascaro: violin 


Review of Heathen Apostles in Herselt, Belgium By Rootsville Magazine

HeathenApostles.com has posted a nice review from Rootsville Magazine of the Pallieter Café show in Herselt, Belgium, here it is:

Heathen Apostles (US) 
Roots – Americana Noir 
Pallieter Café Herselt (08-07-2019)
reporter & photo credits: Freddie – Rootsville

 

Just back from the successful edition of Hookrock Festival and we are already back on track as they say. This time for four “Gothic Outlaws” from the “City of Angels” as a contradiction to it. These bringers of “Bloodgrass”, as they call it, go by the name Heathen Apostles, and consist of Mather Louth, Chopper Franklin, Thomas Lorioux and Luis Mascaro.

Rootsville MagazineWith this “Gothic Four” we end up in the past of American music history, but not exactly the traditional “American songbook”. Punk rock veteran Chopper Franklin has already played in groups such as “The Cramps” and “Nick Curran & The Lowlifes” and these are immediately names that stand out. Getting together with femme fatale Mather Louth, their mutual admiration for murder ballads, Americana Noir and Memento Mori came into the picture and soon Heathen Apostles was created. The band was completed by the addition of Thomas Lorioux and Luis Mascaro.

Rootsville MagazineUnder the guise of their new album Dust to Dust they are now touring across Europe. On this Monday evening they are not at the gates of the Titty Twister in the Mexican hinterland, but simply at the Pallieter Café in Herselt , and we are grateful  to Kurt from the Rootstown agency for that.

There is a saying of “every bird sings as it is called”, but we still have to make some exception with the Heathen Apostles. This foursome has the dress code “Gothic Black” and this together with the skulls and tattoos may seem somewhat impressive but are all in all friendliness itself, even though there is suddenly an impressive Chopper Franklin for you to get acquainted with. The regular bass player Thomas Lorioux was not able to play the entire tour, so the Belgian Jens DeWaele, who we also know from the Ghent “Fifty Foot Combo” and “The Grave Brothers”, was hired as a replacement.

Since it was my first introduction to this “Bloodgrass” I didn’t know what to expect but these Heathen Apostles immediately caught my eye with songs like “Fool’s Gold” and “Death’s Head”. Mather Louth is a murder girl who can really sing and immediately catches your attention. In another outfit she could even be a “star” in any of the roots and / or Americana bands. The support of Chopper on the guitar, Jens on the double bass and the phenomenal Luis Mascaro on the fiddle make their “Bloodgrass” more than digestible, even more so you’ll immediately love it.

Rootsville MagazineDark? Perhaps in the lyrics that are also about murder and destruction, but the music would almost encourage you to dance. The prominent presence of the fiddle also runs as a common thread throughout their performance. It becomes unreal when they perform a piece of Gershwin. “Summertime” was actually written by DuBose Heyward but due to commercial considerations only Gershwin was added. The Heathen Apostles version of this classic almost made me fall off my chair, and my compadre Vic immediately grabbed his smartphone to make a recording of it. It is simply a fine example of their abilities, as if Mather Louth has some DNA from diva Fitzgerald.

Of course we also get a lot of songs from their album Dust To Dust, such as an unbelievably strong version of the traditional “In The Pines”, a song that we also know in the versions of Lead Belly and Nirvana. This song has an exclaiming violin and fits perfectly in the picture of the Heathen Apostles. Respect!

Voilà, and so we are immediately in the mood to head towards the 44th edition of Sjockfest, all this next weekend at the Poeylehei in Gierle where we have a second meeting with these Heathen Apostles on the high mass of the “Rock” n Roll Highlight of the Year “.

Rootsville Magazine


Heathen Apostles “Dust To Dust” Review at Doom Folk Site Rock N’ Folk

Dust To Dust - Doom FolkThe new Heathen Apostles album Dust To Dust received a great review on the Doom Folk site Folk N’ Rock. It was written by Jeff Goble, here it is in its entirety, you can also check it out on the site HERE.

“With their iconic blend of Gothic aesthetics and Americana influences, Heathen Apostles set out to create a sound that’s easy to describe as one-of-a-kind. The group’s music is as charismatic as the band’s lush dark aesthetics, bringing a cinematic edge to their sound.

Although Goth and Americana might seem like two odd bedfellows, the mix actually works really well. If you stop and think about it, most Americana songs are rooted in darker stories and mysterious characters. This is definitely a strong connection with the dark and eerie aesthetics of Goth music and art. Heathen Apostles managed to find the right balance when blending these two cultures, making for something really special.

Recently, they set out to release their new studio album, “Dust To Dust.” This release is a musical journey through various moods, and it dives deeper into other genres, ranging from alternative rock to outlaw country. The record kicks off with “Burn It To The Ground.” As the title might suggest, this is a beginning with a bang, showcasing a relentless storm that brings a darker edge to a traditional Americana rhythm.

One of the most exciting aspects of this release is undoubtedly the group’s storytelling. On songs such as “Home Sweet Holmes,” the group dives deeper into the story of serial murderer H.H. Holmes, making for a vivid narrative twist. They also explore different tonal ideals and influences on tracks such as “Two For The Road.”

There is also room for a classic, with a cover of the timeless folk song, “In The Pines.” This track was popularized by artists as diverse as Leadbelly and Nirvana, to mention but a few.

Throughout the span of 13 tracks, this album feels like a sound roller-coaster, as the group takes you through such a wide array of tones and influences. In addition to the kaleidoscopic creative twist of the band’s musicianship, the production of the album is also quite inspiring. It feels warm and organic yet crisp and compelling. There is a pleasant liveliness to this release, which highlights the band’s chemistry, and their ability to create music that feels very cohesive, rather than just patching things up with the help of recording studio trickery and post-production wizardry.

This album is a labor of love and the sound of a band with a powerful vision. They know where they want to take their art, and as a result, they were able to deliver an exciting and meaningful album to the audience.

Ultimately, this release makes for a rewarding listening experience – a set list filled with highlights and diverse sonic characteristics. If you are a fan of artists such as Nick Cave, Howlin’ Wolf, The Pogues, or Devil Makes Three, you are going to enjoy this particular project!

Final Score  8.7  Great

Dust to Dust is a winning combination of different musical worlds, clashing into something fresh and original.


Heathen Apostles Americana Goth CD “Dust To Dust” Reviewed on Viola Noir

The Russian Gothic website Viola Noir has posted a review of the new Heathen Apostles album Dust To Dust, it really connects with the Americana Goth vision of the band. Here is the English translation:

Heathen Apostles Americana Goth CD "Dust To Dust"The new Heathen Apostles album Dust To Dust is a return to where they began. After experimenting with bluegrass, covers and collaborations, while revamping country music, the Heathen Apostles use the doctrine of the darkness, terror and horror with accompaniment of the banjo once again.

Burn It To The Ground begins as smooth dark country, leaving both ritual and dark roots in place. Bluesy symphonic tragedy and western-swiftness appear with the track Rise. Two For The Road mixes the narrative with emotionality, and generally changes the mood. On to One True Belief, where the listener is already warmed up and ready to listen to another scary tale with a bad end. The Bride develops the mystic-theme and brings us to a true tragedy on Paradise Lost. After – Where The Waters Meet as an unusual track for Heathen Apostles – lyrical with hypnotizing elements from old school, post punk music. Home Sweet Holmes – a gothic americana slasher with a dense narrative and an injection of sinister atmosphere. Spooky Southern Gothic, dirge-like reinvention of the classic In The Pines follows- as the soundtrack to sorrow and sadness, a kind of farewell song. Meditative, contemplative Easeful Death gives a short pause before the intense final part of the album. The final you could already hear when EP The Fall came out. Exactly in the same sequence of tracks, so we will not be repeated.

A successful appeal to their roots, without self-plagiarism, with the development of new themes, with a more fresh sound, where there are still characteristic handwriting and recognizable powerful vocals. Moreover, the Heathen Apostles never disappoint.

The release of the album Dust To Dust will be on June 7 from Ratchet Blade Records. Presale has already started, in addition, they have published dates for a European tour in support of this album. 8/10

 


Heathen Apostles – The Fall Reviewed – Dark Roots Music

Heathen Apostles - Dark Roots MusicReview from RocknFolk.com: Hailing from Los Angeles, Heathen Apostles took their blend of dark roots music to new heights on their most recent studio release, The Fall.

The new release was published just in time for Halloween, matching the dark theme and vibes of the holiday. On this compact, yet richly detailed EP, the group confirmed its sonic aesthetics. The EP is almost like a continuation of the same conversation initiated on the band’s ambitious LP. The project, released earlier in the summer, is titled Bloodgrass Vol. I & II. On this follow-up EP, the group stays true to its roots. Yet, they explore their sonic aesthetics from a slightly different perspective. The songs on “The Fall” EP are generally more bare, going deeper into the band’s gothic/noir tendencies.

The ominous textures and eerie soundscapes of the band’s music is yet again a salient trait of this project. The Fall is a season when things die off and decay. The flora loses its warmth and bright color. The whole landscape acquires greyscale tints, as the winter approaches with no forgiveness. The sound of this EP holds the melancholia of the seasonal changes, while also capturing the band’s ability to create visceral, cinematic tones.

The group, which was started by Mather Louth (Radio Noir) and Chopper Franklin (The Cramps, Nick Curran & the Lowlifes), has developed a really strong chemistry throughout the years.

With every new release, they are willing to take more chances. Their vision is all about testing the boundaries of their formula, going for a diverse, intuitive and forward-thinking tone. Creativity comes easy for these talented musicians, who understand the power of storytelling. Their songs are like forgotten folk tales, murder ballads and dark stories, with a sinister twist.

Ultimately, The Fall EP is a very organic, consistent work. It really makes for a very immersive listening experience, pleasing old and new fans. The textures are absolutely impeccable. In particular, I really enjoy diving deeper into the otherworldly sonic landscapes. This approach makes for a dark, haunting tone, with a mood that suits the lyrics. These tracks display an inner sense of melancholia. Yet, this is far from being sad and depressive music. On the contrary, this release will keep you engaged from the moment you hit the play button! 8.5 of 10, review by Jeff.

Read the article at Rock n Folk HERE. You can listen to and purchase the dark roots music of The Fall EP HERE.


Heathen Apostles’ Southern Gothic “The Fall” EP Reviewed

Heathen Apostles southern gothicPrivate heroes of violanoir’s blog and wonderful extraordinary musicians Heathen Apostles present the new EP “The Fall”, which after the releases of Bloodgrass Vol. I & II is designed to return all the gothic and southern gothic to the sound of this band.

In “Through the Forest, Through the Trees” opens the otherworldly reality of the dark country’s melancholy and  tales, penetrating the soul, silent spells… “The Fall” continues the theme more intensely and passionately, like the first releases of Heathen Apostles – “Boot Hill Hymnal”, “Without A Trace” and “Death’s Head”. The romantic track “Out of the Ground” revives the early Heathen Apostles with all the mystical / heathen (pardon for tautology) fatality.

Nice coincidence – Heathen Apostles – The Fall was released 5 days after the release of “Red Dead Redemption 2”. Now it is possible to ignore the original soundtrack of the game and start to its passage with the sound of true atmospheric gothic americana music. Review by ViolaNoir.

Read the Russian language HERE. Listen to The Fall EP HERE.


No Depression Reviews Heathen Apostles’ Bloodgrass Vol. I & 2

No Depression Reviews Bloodgrass Vol. 1 & 2No Depression reviews Heathen Apostles’ Bloodgrass Vol. 1 & 2 (by James G. Carlson):

LA Dark Roots Quartet Heathen Apostles Releases Bloodgrass Vol. I & II

From the fertile ground of the most recent wave of roots music there has emerged an abundance of noteworthy bands and singer-songwriters. One such band is the LA-based Heathen Apostles, whose latest release, a full-length which combines the band’s Bloodgrass EPs, marks a significant point in the evolution of their sound. Call their sound what you will – gothic Americana, folk noir, doom country – but it cannot be denied that it successfully fuses the styles of bygone eras with those of today’s fringe music. And the material on the band’s Bloodgrass Vol. I & II release is a fine example of this.

Heathen Apostles began over six years ago with a fateful meeting between vocalist Mather Louth (Radio Noir) and guitarist Chopper Franklin (The Cramps, Nick Curran & the Lowlifes), who revealed their mutual appreciation for murder balladry, Americana, and momento mori to one another. With the strong yet haunting vocals of Louth and the skills of multi-instrumentalist Franklin, the two kindred spirits sought out other souls to bring into the fold, soon adding the upright bass thumping of Thomas Lorioux (The Kings of Nuthin’) and the violin playing of Luis Mascaro. Since then, the band has released two full-lengths, Boot Hill Hymnal and Fire to the Fuse, as well as a small handful of EPs and singles, and have played their share of shows.

Bloodgrass Vol. II & II opens with the Apostles’ dark, creeping rendition of Gershwin and Heyward’s classic “Summertime.” “Death Came a Ridin’,” a Heathen Apostles original, is a macabre piece dedicated to the reaper, with Louth employing a storytelling style of lyrical conveyance. “Dark Days” somehow manages to successfully marry gloomy folk with gypsy jazz, and features some of Louth’s best vocal work on the album. “Lady in Gold” is an energetic gothic country offering, while “Deadly Nightshade” is an ominous picker with a simple but nicely punctuating beat. “Paint the Stars,” an easy standout on this album, kicks off with lively violin, guitar strumming, and steady beat, and then incorporates a powerful vocal performance by Louth. Other covers include versions of “You’ll Never Leave Harlan Alive” (Darrell Scott), “Ramblin’ Man” (Hank Williams), and “Shady Grove” (traditional). “D.O.A.” has a roots rock feel to it, while the closer, “Fever Jane,” another easy standout, is a moody picker with darkly beautiful vocals.     

Like all the band’s releases to date, the Heathen Apostles’ Bloodgrass Vol. I & II is available from Ratchet Blade Records. And to follow it up, the band is also preparing to release yet another EP, titled The Fall, in the very near future.
By James G. Carlson.

To read the review on NoDepression.com, click HERE.


Great Review of Heathen Apostles Bloodgrass Vol. I in Ox fanzine

A 9 of 10 stars review of the Heathen Apostles Bloodgrass Vol. I EP will be in the next issue of Germany’s Ox fanzine, there will also be an upcoming feature on the band to coincide with their August 2018 tour of Europe. The English translation is below for those who don’t read German:

HEATHEN APOSTLES
Bloodgrass Vol. I
Ratchet Blade • ratchetbladerecords.com • 21:01 • 9 of 10 stars 

Blood, horror and passion in the happy the southern heat of America: HEATHEN APOSTLES call their Dark Alternative Gothic Americana Doom Bluegrass sound simply Bloodgrass. On the new EP of the band from Los Angeles, that features former members of THE CRAMPS and THE KINGS OF NUTHIN ‘, there are two cover songs and three brand new ones Original compositions. The dark-hypnotic Bluegrass version of the Gershwin classic “Summertime” opens up the dance, and the soulful reinterpretation of Darrell Scott’s “You’ll Never Leave Harlan Alive” closes it. In between are three of the Heathen Apostles own Gothic Americana songs: The Nick Cave -inspired “Death Came a Ridin’ “, the jazzy “Dark Days” and the driving bluegrass piece “Lady in Gold”. Reviewed by Karin Hoog  

Preview the Bloodgrass Vol. I EP HERE.

Heathen Apostles Bloodgrass Vol. I Heathen Apostles Bloodgrass Vol. I


Heathen Apostles’ “Albatross” Single Review on Gothic.com

The Heathen Apostles latest single Albatross has been reviewed by Viola Noir on Gothic.com, the English translation is below, click HERE for the original review:

The new single from Heathen Apostles – a tale of treachery, betrayal and, of course, revenge. According to tradition, the single is accompanied by a video. This time, in seascapes, but with indispensable mysticism and blood. In reality, all of the video creativity of  the Heathen Apostles can be brought under a common denominator – “what would happen if the witch is hurt.” It is understandable that it is not good, but Mather Louth and Chopper Franklin illustrate in detail a “not good” with a grotesque and clever sense of humor.
 
As for the track –  it is the absolute spirit of Heathen Apostles. Gothic Americana in all its glory – guitar, violin, upright bass and Mather`s strong voice has a melancholic flair here. How else to talk about betrayal? Only with anguish, and with the ice of December sea. In general, Heathen Apostles are not losing their standing, and it is pleasing. 
 
Viola Noir

Albatross cover

 


Heathen Apostles “Albatross” Single Review in Chain DLK

The Albatross single and video have been reviewed in alternative magazine Chain DLK, you can read the entire review HERE, and preview and order the single HERE.

The Heathen Apostles take a central core of faithful Americana and murder ballad arrangements and give things a slightly stylish, faintly gothic twist. “Albatross” is a one-track single and while their discography has several remixes and electronica elements in it, this is a straight-up three-minute 3 / 4 song featuring slightly Chrissie Hynde-like vocals over a folksy arrangement of violins and mandolins that would appeal to staunch Levellers fans.

albatross-cover


Review of Heathen Apostles’ “Fire to the Fuse” on Midnight Calling

A new review of the latest Heathen Apostles studio album Fire to the Fuse has been posted, read the teaser below then click on the link to read the entire review.

Following up their excellent debut album Boot Hill Hymnal, Heathen Apostles draw their musical six guns, and stalk once more through haunted graveyards, dangerous streets, and debauchery-filled saloons. Fire to the Fuse continues the epic Western Gothic journey, and demonstrates that Heathen Apostles are musical desperadoes to be reckoned with.

Click HERE to read the review. Click HERE to preview and purchase Fire to the Fuse.

Heathen Apostles Gold Text FTTF 1.indd


Heathen Apostles’ “Misery and Gin” EP Reviewed By Midnight Calling

Here’s a great review of the upcoming Heathen Apostles’ Misery and Gin EP by Aiden of Midnight Calling, the EP will be out this Friday July 22nd, and be sure and check out the new video for the title track HERE. Click HERE to read the review.

Misery and Gin cover 72 1200


Heathen Apostles’ “Requiem For A Remix” Review

Here’s the intro and review:

“Hailing from Los Angeles, California and playing what they call “southern gothic outlaw country and dark roots music,” Heathen Apostles are actually nothing of the sort really. The title of their new album, ‘Requiem For A Remix’, should probably give their game away as Uber Rock’s Jason Palmer soon discovers, these bad boys (and a girl) are all about the murder ballads, baby!”

Cick HERE to read the review.

Requiem For A Remix cover 300


Great Heathen Apostles Review on Alternate Root

Heathen Apostles Gold Text FTTF 1.indd Heathen Apostles Fire to the Fuse – The Roots of Heathen Apostles has a dark current that roars through dense gothic tales surround by mountain music, back alley Jazz, murderous Americana, and bone-chilling Folk. The latest release from Heathen Apostles, Fire to the Fuse, lights the primeval blackness of the tales as it slowly ticks out for a Measure of Time, battles rattling whirls to spew words and sound on Death’s Head, and hangs on to the rapid rhythms of Lily of the West. Vengeance, greed, and lust are riding shotgun in the love tales strewn over Fire to the Fuse as fractured chords strum and stutter out the title track and propel Yveline through hushed whisper and frenetic fiddles while Without a Trace thunders a musical force and Evil Spirits scatter on percussive rhythms.
Heathen Apostles profess their faith for Americana by taking the Roots from their long Los Angeles history of blending Goth and Rock, with lineage in bands such as The Cramps, Christian Death, Radio Noir, Nick Curran and the Lowlifes, and 45 Grave. Fire to the Fuse makes use of mountain music backing to stomp out a skeleton-shake on glimmering strings and gypsy rhythms for a version of Cher’s “Bang Bang”. Desert wind blow western dust on the horse-hoof patter of Fool’s Gold as Looks are Deceiving sets the barn dance on fire and Heathen Apostles use the chaotic strum of strings to scratch their way to the surface for a breath in Drowned in Trouble.
Listen and buy the music of Heathen Apostles from AMAZON or iTunes
Read the review HERE


Heathen Apostles’ “Fire to the Fuse” Reviewed On Viola Noir

Heathen Apostles Gold Text FTTF 1.indd The second full-length release of Heathen Apostles is the hope for all gothic americana, dark country and southern rock music. The bulk of it could be already well known to their audience by the singles and videos, but this fact didn’t make Fire to the Fuse less surprising.

Opening the release is the mystical tragedy Fool’s Gold, their familiar summer single. It’s a good beginning, because this track is probably one of the most colorful and characteristic in the discography of Heathen Apostles. Drowned in Trouble and Yveline join in this atmosphere, which is carefully woven from sounds of authentic instruments from the South — guitars, violin, banjo, upright bass and powerful voiced Mather Louth. In her voice we hear all — sorrow, anger, love, hate, melancholy and drive. In addition, Yveline has an invisible, but perceptible skin wildly-proto-goth-rock origin. Fist City somewhat reduces the tempo, this track can be attributed to the contemplative, romantic-tragic side of the Heathen Apostles concept . There’s an exciting video for this track — it’s fully in line with the recognizable Heathen Apostles style: fairly bloody, mystical, and presents to us an eternal antagonism between light and dark forces. All this against the backdrop of Southern landscapes and the accompanying paraphernalia. The dark theme continues with a track featuring Jyrki 69, Evil Spirits, familiar from the eponymous EP. Looks Are Deceiving suddenly sounds quite positive and relieves the tension before the blues-track Fire to the Fuse, and then Death’s Head is perceived as epic denouement. Also, a cover of the immortal Nancy Sinatra hit Bang Bang surprised and pleased me. First of all, the fact that Mather wasn’t attempting an exact copied intonation of Nancy, unlike previous versions, but introduced her interpretation of the song. It turned out pretty original and recognizable. Measure of Time — hypnotic ballad with a very heartfelt vocal line slightly expands framework of existing genre Heathen Apostles. The familiar Without a Trace comes with mood of fury , then thelyrical Before You Go and finally with Lily of the West the dark-cabaret veil once again passes through with core emotions, and leaves a pleasant aftertaste. So good, that makes this release coveted for re-listen.

The release is universal in the sense that those, who follow the works of Heathen Apostles, will have the opportunity to listen to the familiar tracks. By one session of the Gothic Americana’s atmosphere. Those who begin acquaintance with the project Fire to the Fuse, immediately get a feel characteristic sound of Heathen Apostles. 8/10


Heathen Apostles Article In love/hate Magazine

Tuesday, March 24, 2015
Radar: Heathen Apostles
Out of the City of Angels comes a devilish new band with a dark twist on classic American country, bluegrass and murder balladry. The Heathen Apostles offer a sound that combines gothic and punk overtones with edgy lyrics of murderous love, outlaw crime and damnation. These heathens have been making a stir around Southern California during the past 2 years and just recently appeared at the annual Ink N Iron Festival at the Queen Mary in Long Beach, CA.

Now, when you first gets a glimpse of the Heathen Apostles, it is hard not to do a double take. This band casts a dark shadow over the crowd as they enter and appear more closely to funeral entertainment for a 19th century downed gunslinger versus an LA club night with twenty-something hipsters in the crowd pecking away at iPhones. However, with head-to-toe blackness, vintage Victorian-era attire, stern countenance and a wide array of instrumentation, the shear visual of the band can be both alluring and overwhelming. The final blow comes from the diva front woman, Mather Louth (Radio Noir) who normally takes the stage with full funeral head vale, jet black lipstick and pale white skin. Mather out front of this group mystifies the crowd with haunting gazes and enigmatic poses throughout the performances, which transmits both beckoning and threatening signals at the same time.

HA may have roots in many genres, but their combined sound is altogether their own. The band touts familiar names such as Chopper Franklin (The Cramps) on guitar and Stevyn Grey (Christian Death, 45 Grave) on drums, but other band members round out this musically tight and original arrangement including Thomas Lorious (The Kings of Nuthin’) on an upright bass, Viktor Phoenix (Dessau) on both banjo/mandolin and the talented of Luis Mascaro on fiddle.

The songs of HA range all tempos and emotions. From the fast-paced, boot-clicking tunes of ‘Without A Trace’ and ‘Forget Me Not’ down to the somber murder ballads of ‘Before You Go’ and ‘Dark Was The Night’, the listener is not stuck in a monotonous or monochromatic musical experience.

HA has a tight musical delivery, an innovative dark approach and an unforgettable stage performance that stays with you long after the performance is over. The Heathen Apostles are not your typical night out on the town and definitely should not missed, as we might be seeing an ushering in of a new genre with possible copycat bands soon to follow.

Heathen Apostles will be playing various shows in and around Southern California including Hippy Killer Hoedown 2015 in Perris, CA. Please visit the band’s website or follow them on Facebook for more info.

Full length album, Boot Hill Hymnal and 3-song EP, Without A Trace, now available at www.heathenapostles.com.

Read the article online HERE.


Chopper-Produced Phantom of the Black Hills CD Reviewed

The new Chopper Franklin produced Phantom of the Black Hills album Moonshine Bright has been reviewed by The Examiner, it received 4 of 5 stars:

Phantom of the Black Hills, one of the outlaw music scene’s favorite bands of renegade pickers, stummers, pluckers and bangers, is back with a new album on Ratchet Blade Records, Moonshine Bright. Continuing to terrorize the musical wagon trail of the current roots revival with their signature sound of doom country, frontier-core and hellbilly punk, Phantom of the Black Hills’ most recent collection of songs is as powerful and violent as the fiery blast of an old blunderbuss, with each deadly projectile hitting a different mark.

New full-length by Phantom of the Black Hills

Throughout Moonshine Bright Phantom of the Black Hills lay down some mean distorted chords, plenty of pickin’ and strummin’, hillbilly fiddin’, strong drums, and gritty outlaw vocals. The opening song, which is also the title track, is as dirty and intoxicating and homegrown as the contents of the musical barrel in which it was distilled. “Hellbetties Risin’,” the first single from Moonshine Bright, is a raw cowpunk offering with male and female vocals, is as sharp as the edge of a boot knife. “In Hell” takes a lawbreaker anthem which rides like hell for the horizon, loot in hand, putting some distance between oneself and the hangman’s noose, yet knowing full well that when the times comes hell will be one’s ultimate destination. “The Storm is my Shelter” is about as close to traditional country music as Phantom of the Black Hills get, but it is still pretty far removed from the purist idea of the genre, which is decidedly a good thing. The closer, “A Life for an Eye,” is a little different from the rest of the album in that it is garagey roots rock and dark country punk hybrid.

Moonshine Bright by Phantom of the Black Hills is available from the Ratchet Blade Records webstore here.

by James G. Carlson
The Examiner

read the review online by clicking HERE


Heathen Apostles’ “Without A Trace” 4 Star Review

‘Without A Trace’ by Heathen ApostlesWITHOUTATRACE 300
by James Carlson

Rating: 4/5 stars
September 1, 2014

If there is such a thing in the current fringe roots genre as a supergroup, it would certainly be the Los Angeles-based dark roots and alt-country band Heathen Apostles, whose participating artists include ex-members of Radio Noir (Mather Louth), The Cramps (Chopper Franklin), Kings of Nuthin’ (Thomas Lorioux), and Christian Death (Stevyn Grey) in its ranks. That is one hell of a lineup. And their collective musical output is equally impressive.

Heathen Apostles made quite an entrance on to the scene with their debut full-length album, Boot Hill Hymnal. And now, this gothic outsider country and dark roots quintet have written and released a new EP of material on Ratchet Blade Records, titled Without A Trace. This three-song release is a worthy follow-up to Boot Hill Hymnal, even though the three songs go by all too quickly at a little over ten minutes. Quite simply, this is one of those quality over quantity things.

Without A Trace opens with the EP’s title track, moving from wild Irish folk-like fiddle, a beat akin to marching drums, and punctuating strums, to somewhat of a country punk bit, all with Louth’s strong vocals. “Before You Go,” the second track, is a slower gothic country offering, with clear strumming, string picking, a beat that carries the song structure forward, subtle yet effective bass, and Louth’s voice at its most hauntingly beautiful on the EP. The Closer, “Lily of the West,” is a countrified murder ballad and arguably the best song on the release.

Read the review on Examiner.com HERE.

Preview Without A Trace HERE.


The 69 Cats “Transylvanian Tapes” 4 Star Review

Saturday, August 2, 2014

The 69 Cats Transylvanian Tapes Cleopatra 2014

Transylvania Tapes cover

Vincent Price would have loved these guys!

Brent Black / www.criticaljazz.com

Gothic rock meets rockabilly? Music has had strange bedfellows before so why not? Gothabilly is a intriguing hybrid of sound that seemingly falls apart on paper but comes together for a delightful riff on the lighter side of evil. The band has some serious credentials with former Cramps bassist Scott “Chopper” Franklin and Blondie drummer Clem Burke. This is a release that is built on the “spirit” of the music as much as the music itself and includes some excellent covers of some golden oldies and pop favorites. A cult band / super group in the making? Probably!

Some of the more interesting if not incredibly fun covers include Duran Duran’s “Girls On Film” and a grooved out riff on Warren Zevon’s “Werewolves of London.” The reigning Queen of rockabilly makes an appearance on the Elvis Presley hit “She’s Not You.” A “fun” record that you can actually take seriously, there is some muscle behind the tunes and the arrangements work well and are not near as “cheesy” as something you might here from the Stray Cats. Perhaps the hidden jewel in the release is the cover of “Sweet Transvestite” from The Rocky Horror Picture Show.” At first you think, “no way.” You walk away loving it.

4 Stars

Tracks: People Are Strange; Sunglasses After Dark; She’s Not You; Runaway; Sweet Transvestite; Edge of Reality; Necromance For Guitar; You’re My Baby; Werewolves of London; Black Cadillac; Girls On Film; 69 Guitars; Bela Lugosi’s Dead.

Personnel: Jyrki69: Vocals; Danny B. Harvey: Guitar; Scott “Chopper” Franklin: Bass; Clem Burke: Drums.


Review of The 69 Cats “Transylvanian Tapes” on Punk Globe

 Transylvania Tapes cover The 69 Cats, consist of the vocalist Jyrki69 (The 69 Eyes), Danny B. Harvey (Rockats, Headcat) on guitar and Chopper Franklin (The Cramps) on bass, emerge with the title single of their first EP “Bad Things”. This is definitely a weird kind of supergroup, let’s see what they have created sound wise.
Kicking off this weird and wonderful journey into rockabilly cover madness, comes in the form of “Bad Things” notably from the tv series “True Blood”. From the off the distinct vocals of Jyrki69 are haunting, the guitars are very vintage sounding but make this a very good version. Think along the lines that this could be the theme to a spaghetti western instead of a glittery vampire series.
“Black No 1” by Type O Negative get the treatment next, after loving they original for many years I find myself grooving along. The creepiness seems to be intensified from the original as the female backing vocals give it a very spooky feel, I think Pete Steele would be proud of this version and be grooving with Elvira or the Munsters.
  The final track to get the 69 Cats treatment is Elvis’s “Flaming Star”, knowing how much Jyrki69 has been influenced by Elvis over the years, this seems to be a good homage to the king.

If you are a fan of the band members involved, you may either love this E.P. Or just think it’s wacky, myself I found myself wanting to groove like a cool cat and can’t wait to hear the full album being recorded in 2014.

Band shot 2014

You can read the review on Punk Globe by clicking HERE.

Heathen Apostles’ “Without A Trace” Review in DYNAMITE Magazine

Americana
Heathen Apostles
Without A Trace
Ratched Blade Records, EP (Download)
4 of 5 stars

WITHOUTATRACE 300


 

 

 

 

 

The mastermind of the Heathen Apostles is Chopper Franklin (The Cramps, Nick Curran, etc. ). They describe themselves and their music as ” … southern gothic imagery surrounded by haunting, minor-chord melodies, helmed by the voice of a evocative indigo child, unstuck in time … ” Unfortunately there are only three songs on the EP, but they are in a league of their own, Americana at it’s best. Whoever likes Bob Wayne, Hank III and friends, should get these songs.

TS
DYNAMITE Magazine
Germany

Get DYNAMITE Magazine HERE (it’s in German).


Review of the 69 Cats’ Viper Room Appearance

A review of the 69 Cats’ April 21st appearance at the Viper Room in West Hollywood has been posted, it is written by Lizzie Rose and features photos by Lexa Vonn. You can read it in it’s entirety HERE.

69 Cats

The 69 Cats are a Los Angeles and Helsinki based Gothabilly band. The supergroup consists of Jyrki 69 of The 69 Eyes on vocals, Danny B. Harvey of Stray Cats and Head Cats on lead guitar, and Chopper Franklin of The Cramps on bass. Filling in on drums the night of their recent show was Todd T Burr. They returned to their Los Angeles home, The Viper Room for their very first full-set show. I had met and seen the trio onstage on their previous visit back in October 2013, when the band was just starting to fall into place, and I fell in love. Of course, I was not going to miss it this time, so I hopped on the first bus headed to Hollywood.

Why an 8-hour bus ride instead of a 1-hour flight? I’m a hopeless romantic in all aspects of life. Something about hopping on a bus for a show just excites me a little bit more. 8PM finally rolled around, so my friend and founder of The Plastics, Lexa Vonn and I headed on over to the venue. We got there just a few minutes before the boys hit the stage, so we headed backstage to say hello and only found the lead singer Jyrki 69 there preparing to go onstage. We let him do his thing and walked out after him to watch the show from the very beginning. The band got into their own covers of classics such as, Type O Negative’s “Black No.1,” True Blood’s version of “Bad Things,” The Doors’ “People Are Strange” and even a little dark rockabilly cover of Jyrki 69’s own song “Lost Boys.”

It was pretty amazing to listen to their covers. Even a little more interesting was listening to and watching Jyrki 69 sing and dance to Elvis’s “Heartbreak Hotel.” If you’re a longtime fan of The 69 Eyes like myself, you already know what I mean. The man’s voice is hauntingly similar to the King’s, only a tiny bit less sweet. And he’s definitely got moves like Elvis, so it caught me off guard for a moment; I could have sworn it was the King himself singing that song onstage. Finally, they closed the set with their own version of Bauhaus’ “Bela Lugosi’s Dead,” which drove the whole venue wild.

Afterwards, the band allowed fans to enter their backstage dressing room for pictures and autographs. It was a really sweet thing to watch, as not many artists allow such a thing. The after party was held at the Sunset Strip’s world famous Rainbow Bar and Grill. There, fans were able to have a few drinks and converse with the boys. Again, I found that to be really humbling and sweet of them as not many artists do those kinds of things. I personally didn’t really get to spend time with them this time around as I had previously done last time they were in town. I thought the rest of the world deserved to know how sweet these men actually are offstage. Overall, it was a great show and a great night.

You can keep up with the band on their various sites:

the69cats.com

facebook.com/the69cats

twitter.com/69catsofficial

reverbnation.com/the69cats


Heathen Apostles Record Release Show Reviewed

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Heathen Apostles
Redwood Bar and Grill
Los Angeles
By Lucky
Photography by Mila Reynaud

Fifteen hours at the mundane didn’t stop me. Unusual cold weather for Los Angeles didn’t stop me. Killing time in Echo Park didn’t stop me. Six dollars to my name didn’t stop me. Nothing stopped me on this particular Monday’s eve from attending the Heathen Apostles record release party at the Redwood in downtown L.A.

The lot was free and so was the show, so that fit my budget just grand. Apparently the lure of free entry appealed to others as well as there was a damn good turnout on a night that otherwise could have been a death null. Seems the buzz surrounding Heathen Apostles is sweater than sugar.

Despite being close to the Heathen Apostles’ set time, frankly hoping to dig the show and then go man go, I discovered there was still another band slated before the headliners. Good thing extra added adrenaline surged my veins when I hit the fabled décor. It enabled me to rage. The band was called “Red Rose” and I do recall I liked them more and more as their set progressed. I liked the bass player. She was cute. She walked by me later as the night progressed, and didn’t even take a look. Alas, she doesn’t know I exist.

The period wear sported by various members of Heathen Apostles sparked interest amongst the barflies, kinda of an 1800’s reverend look, a bible in one hand and a gun in the other. All wore black and all meant business. Interest turned to intrigue as Mather Louth took the stage, in regalia that harkens back to times of hardship, blood and pain. Cape, hat, and a black mesh veil that disguised, made heads pivot. It was on as Chopper Franklin strummed the opening chords of “Red Brick Dust”.

Read the rest and comment HERE


69 Cats EP Gets 9.5 in Venia Magazine

Green_logo_smRelease date: 25.11.2013
Label: Cleopatra Records
Grade: 9.5/10

Grown from the roots of rockabilly with a dangerous dark omen, The 69 Cats, formation consisting of the vocalist Jyrki69 (The 69 Eyes), Danny B. Harvey (Rockats, Headcat) on guitar and Chopper Franklin (The Cramps) on bass, already with the title single of their first EP, the theme from the popular HBO series “True Blood”, whose sample was also available for those of us in the countries where iTunes is simply not working, and has dangerously stirred the rockabilly ground.

And then The 69 Cats spiced up the atmosphere and on November 25th (just in time for the first winter days in our neck of the woods) released their first EP. iTunes was not merciful this time, as well as any other service in which the residents of the United States and some European countries can enjoy in a real rockabilly treat for just under 3 bucks. How this treat came to my ears will be kept as a small, sweet secret with another thanks to the “source”, with the note that a better dose of morning awakening I could hardly have expected.

All those who think they know a thing or two on rock’n’roll know at least the basic definition of rockabilly, and the fascination by it pertinent to these musicians consisting such a lively and interesting trio is also well known, therefore there isn’t much else to do than go on a journey clocking just under 10 minutes which is opened by “Bad Things (As Heard on True Blood)”. Already the idea itself to cover the song, performed originally by Jace Everett and in the past few years came to be one of the most popular television theme songs ever is very bold, and all doubts in the originality and courage of its new version are immediatelly smitten mostly thanks to the colourful voice of Jyrki, which is additionally deepend by the genuine rockabilly sound of the good old rock’n’roll from his best days. And just when you dare to do some over-the-top dance moves in your apartment, or even office, there comes another classic.

Type O Negative – the band everything has been said about, and nothing told. Type O Negative, the legendary gothic metal band from New York, led by the legend and one of the best male baritons that ever walked the planet – Peter Steele (RIP). Besides his colourful voice and hypnotizing green eyes, Peter Steele was known for his “vampire effect” he had on his mostly female audience, and “Black No 1 (Little Miss Scare-All)” is undoubtedly one of the unforgettable traces in the legacy of the band which in many ways changed and shaped the world gothic metal scene. Yes, The 69 Cats have put their version of his evergreen on their EP, no less. Rockabilly, or more precise, darkobilly feeling here is so strong that you get goosebumps while the notes get under your skin. Jyrki is brilliant and in certain moments you get the feeling that he completely merged with the tone of voice of Peter Steele which we got used to while “Loving you – loving you – love love loving you was like loving the dead…” echoes through the room, up until that millisecond when you realise that The 69 Cats have merged with “Black No. 1”, completely naturally and simple, as if it always waited for a rockabilly attire, dark and seductive just like Peter Steele was.

And just when I thought it can’t get more bold and better, there comes “Flaming Star”. It was also the song I anticipated the most, because who can get close to the King anyhow? History writes the pages with golden letters on Elvis Presley, his life and work, through his songs and generation of fans the King lives on, and “Flaming Star” just rose from the ashes. Like the Phoenix. And shined a new shine, slightly darker, more modern, a tad more expressive. All those who know and follow Jyrki’s home band The 69 Eyes, know that he is not only a great admirer of Elvis, but certainly also one fo the rare voices that, if he were alive, would have intrigued the King himself. Always and again unsurpassed, Jyrki has come dangerously close to the always unsurpassed Elvis version (is it just because of my sentimentality and life-long connection to Elvis and his opus, you can judge yourself after listening to this version), and his tone of voice, completed with a rockabilly spirit, certainly makes “Flaming Star” the new flaming star on the pretty dark rockabilly sky.

The 69 Cats are definitely a true refreshment on the world rockabilly scene in all its nuances. Masterful playing is undoubtable, vocal brilliance present, completeness in arrangements clear and pure like freshly washed glass. All this, coupled with a very bold choice of songs that have been brought to the very top of perfection in their new attire, like in their original versions, bring the hunger for more. I hope for an album, I hope for gigs on the European soil. Because The 69 Cats are a must see in every aspect!

Rockabilly fans – open your eyes and take a deep breath – the cats are coming!

Review by: Ivana Sataić – ivana@venia-mag.net

Read the review online HERE